Building Roots Through Social Justice

Through this challenging year of the devastating Coronavirus, Building Roots continues to work with the Moss Park community to create a grassroots network of nourishment and compassion. As an organization, we tackle socio economic issues with food justice, music and social justice, and justice for children.

Food Justice 

It all starts with food. Whilst food banks are a lifeline for many, often they mostly provide canned and non-perishable items. We think every human should have the right to chose fresh food. So our pay-what-you-can market of fresh food is for anyone in need.

Music and Social Justice 

Representation matters. Women, BIPOC (Black, Indigenous and People of Colour), and LGBTQQIP2SAA+ (lesbian, gay, bi, trans, questioning, queer, intersex, pan-sexual, two-spirit, androgynous or asexual) people are grossly underrepresented in the live and electronic music scenes, despite there being no shortage of great performers. There are as many expressions of music as there are people, and promoter bookings should reflect that. We all deserve the richness and full spectrum of musical experience. To redress the imbalance, Building Roots exclusively books women, BIPOC, and LGBTQQIP2SAA artists and performers for our weekly Mini Social Distance Concert Series.  

Justice for Children 

Children have the right to play, creatively express and access educational and recreational resources. This is why we have created a weekly art zone, and toy/book giveaway for kids.

In a system rife with inequality, injustice and marginalization, it can be difficult to know how to support change. Starting “small” – working with what we find valuable and necessary to maintain social harmony and equity – has shown some success in social empowerment. Starting small can seem insignificant, but to some it is immeasurable. In many cases, it’s best to work at the local level, close enough to hone in on a community’s desires and direct needs.


Article written by Building Roots Market Animator Danielle Collrin, originally for the Moss Park paper “The Bridge.”